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#marchmeetthemaker

I have been taking part in Joanne Hawker’s #marchmeetthemaker. It is a month of prompts for Instagram, I thoroughly recommend it, it helps shake us out of our insta habits. I am at Day 20, very proud I haven’t missed a day yet. You can see the rest as I post them on my insta feed here.

How to hide a Lion by Helen Stephens

How to hide a Lion by Helen Stephens

Day 1. Favourite to make

My favourite thing to do it write and illustrate picture books. Honing a book into its perfect shape, making words and pictures sing together is difficult and thrilling in equal measures. It can take aaaages, and many failed attempts... but when it all comes together, it is so satisfying.

How to Hide a Lion was a delight to make. It started when I left London and moved here, to the windy Northumberland coast. I saw the beautiful sea haars that fill the town with a silvery mist, and imagined a bright yellow lion walking into the silvery grey town. And that was it, the tiny fragile beginnings of an idea.
It has now sold in nearly twenty languages, won lots of fancy pants awards, and been adapted for stage. I would never have imagined that would happen when I started making it at home with my toddler banging on my work room door asking me to come out! (Working from home with a toddler in the house was tricky!)


Veronica by Roger Duvoisin

Veronica by Roger Duvoisin

Day 2. How you started

I studied illustration at Glasgow School of Art. I used to trawl the charity shops for good vintage clothes (I had a fab 1960’s M & S anorak) and old books. This is one of the books I bought back then. #rogerduvoisin is one of my favourite illustrators. I love the books of the 1950’s and 60’s printed in limited colours, usually two or three colours and black.

I liked picture books, but didn’t really know what I would do when I left art school. My favourite thing was to draw from life, and I always struggled to cross the bridge from drawing to illustration. I had no idea how I would go about Illustrating a book.

When I left art school I moved to London because that is where the publishers were, and there was no internet then. Strange to think of that now. I would sit on my bedsit floor and ring the publishers on my landline (no mobiles then) and ask if I could show them my folio.

I had postcards made of my work and would send them out to anyone and everyone in the Writers and Artists Yearbook. I had a part time job at the Science Museum and worked on my folio every evening. I would arrange meetings on my days off. One of those meetings was with Dorling Kindersley, who liked my work and asked me if I could write a picture book text. I said yes, although I had no idea how to do it! Each night after work I scribbled away, and the next week I turned up with a text. That book was my first picture book, it was called I’m Too Busy, and published in 1998. Lovely @janecabreraillustration was my designer.


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Day 3. Flatlay

Nibs, nibs, nibs, nibs. 🎶 🎶


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Day 4. Tools and materials

Dip-pens, ink, my favourite Uniball drawing pen (the ink flows fast enough not to leave gaps when I draw quickly) a waterproof crayon and a few tubes of watercolour. These are materials I use all the time.
The sketch is of a man I saw in the train. He had the word ‘England’ tattooed on his neck.


The Big Adventure of the Smalls by Helen Stephens

The Big Adventure of the Smalls by Helen Stephens

Day 5. Detail or close up

Detail of an illustration I did for my book, The Big Adventure of the Smalls.
It reminds me of when I was a kid and Mum and Dad would pop their heads around the door to say goodnight before they headed off to a dinner-dance or a works doo. (Only we had bunk beds not a four poster!)


Sketchbook by Helen Stephens

Sketchbook by Helen Stephens

Day 6. Full or part time

Full time, but every day I take some time out for a walk on the beach with my scruffy mutt Peggy dog. It blows away the cobwebs and banishes the Illustrators Cabin Fever (a rare condition only found in Illustrators that can be diagnosed by unbrushed hair, a dressing gown with a hot water bottle stuffed down it and a worried expression ). I often draw on these walks and that is what inspired me to start the hashtag #walktosee. It is for drawings done from life on our daily walks. There are more than four thousand contributions so far and I am blown away by the community it is bringing together. Thank you to everybody who takes part. I feature some in my stories every weekend, join in!


The Less Glam Side by Helen Stephens

The Less Glam Side by Helen Stephens

Day 7. Less glam side
The less glam side is doing the work.
The novelist #Murakami compares writing a novel with long distance running. I think you could say the same for creating a picture book. It is a battle of endurance. Putting in the hours, battling the cold and fighting Illustrators Stoop (bad posture). I should add that it might not be glam, but it is rewarding.


How to Hide a Lion by Helen Stephens

How to Hide a Lion by Helen Stephens

Day 8. Product range

My partner @gerryturley and I have an online shop. We opened last October, and have really enjoyed making new products and seeing them go off to their new homes.
Gerry’s whale screen prints were featured in The Guardian this time last year and we sell those in an online private view every six months or so. His whale posters are in the shop all the time, and are probably our best selling product.
Gerry is working on a new sketchbookzine for the shop right now, it will be a mix of both of our sketchbook drawings. I’ll keep you posted on that.


Helen Stephens

Helen Stephens

#marchmeetthemaker
Day 9. Story behind name

So here is a brief history of my life.
Born in Darlington, grew up in tiny village called Staindrop. My best friend was in love with Freddie Mercury, we used to write to each other in lessons and I would draw pictures of Freddie for her.

Always loved drawing. As other people seemed to grow out of it I carried on.

A teacher told me not to apply to Glasgow School of Art, so I did. So glad I did because that’s where I met my partner @gerryturley.

After art school we moved to London, Gerry did his MA at the RCA and we lived in shared flats with other artists for a few years. Was a stressful time as Gerry and I were determined to be Illustrators. Friends and family were getting married and buying houses and all that, but we were single minded in our determination to make our way as illustrators, whatever it took. It was hard for a while. But we loved London and thought we’d probably live there forever.

Anyway, some work came in and one thing led to another, I got some books published, Gerry made some brilliant work, and we bought a small flat near Wimbledon... We made a studio in the garden to work in. Gerry filled it with origami birds and bats, and we had a family of foxes living nearby.

Then at age 36, having not really been interested in having children before, we decided to have a child. Pie (she always called herself that, from the first time anyone asked her name) arrived in to the world on our bedroom floor during a thunder storm. Although afterwards Gerry said there was no thunder storm, I must have created it in my mind! Weird!

Eight years ago we decided to leave London in search of more space, and chose the Northumberland coast. We adopted #helenstephenslionpeggy from the local dog shelter and she likes to roll in dead fish on the beach. It’s a good job we love her because sometimes she stinks!

Well, that’s it. Life summed up in a weird selection of facts. Byeeee.


By Alice Newman

By Alice Newman

Day 10. You

Here are some of the recent contributions you made to #walktosee. It’s a hashtag project I started for drawings done from life of our daily walks. It is turning into a wonderful supportive community, why not join in? I feature some on my stories each week.

PS Do you know I have an Illustrators Newsletter? You can sign up on my website. 🖊
This one is by @alice_draws


Helen Stephens drawing of Pie

Helen Stephens drawing of Pie

Day 11. Reducing waste

There isn’t much waste in my line of work. Just paper, and I chuck that in the recycle bin. I don’t like to think of paper as something too precious, if I do I will tighten up and the work will be terrible. Of course good paper IS precious, it is expensive, but I have to forget that otherwise I won’t be able to draw at all. Ha! The mind games of illustrators, that could be an essay in itself! 😂

In the mean time here’s a very quick sketch I did of Pie. #walktosee


Day 12. Hands at work

I always have inky hands. #howtohidealion


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Day 13. Photography

Before I talk about photography, a big thank you for all the views and amazing comments on my last post. You’ve inspired me to do more films of my hands at work!
Anyway, photography. I use a Cannon 650 DS camera for photos of my work, especially when it is gloomy outside and I need a camera that’s amazing at picking up light, but mostly I use my iPhone.
I like taking pictures of the windows around the streets where I live. These are never popular posts, but I carry on posting them regardless! There must be someone out there who loves these wind worn, sea sprayed windows as much as I do!


Whistle For Willie by Ezra Jack Keats

Whistle For Willie by Ezra Jack Keats

Day 14. How I learnt

I learnt by devouring beautiful picture books: books from the library, books from charity shops, books purchased with a nice discount from the bookshops I worked in for a few years after art school, books borrowed from the art school library when I worked there... from anywhere I could get my hands on them.
This is one of my favourite charity shop finds.


Day 15. Motivation and goals

My biggest motivation is the feeling I have when I am totally absorbed in writing or drawing. I feel more me than at any other time. The next big motivation is seeing children react to my books, it is incredible to see a whole class rolling around on the floor laughing or shouting out what they think will happen next, they are nutters! I love getting letters from children, and these are from Stapeley Broad Lane Primary School. I always write back, I think it’s important they know authors are real people, it might give them the idea, ‘Hey I could do that!’


Helen Stephens

Helen Stephens

Day 16. Workspace (tidy/messy)

MESSY, but I have a big tidy up at the end of each project. Irrelevant photo of me wearing piles of clothes to keep warm: thermals, woolies, apron, dressing gown, hat and scarf. In winter I top it off with a hot water bottle up ma jumper! What do you wear?


Jack and the Bean Stalk by Helen Stephens - Orchard Publishing

Jack and the Bean Stalk by Helen Stephens - Orchard Publishing

Day 17. What I’m working on. #sneakypeek #fairytales


Sketchbook by Helen Stephens

Sketchbook by Helen Stephens

Day 18. Mistake or lesson

When I first left art school I made the mistake of thinking I had to work hard at being an illustrator now, just get my head down and work. I thought it would be frivolous to draw from life or take days out to play at sketching and exploring. I quickly became miserable, I found it hard to generate new ideas, and my work didn’t excite me any more. It took me a while to realise why, I had forgotten the pleasure and importance of play.
That is one of the reasons I started the #walktosee hashtag. It is to inspire us all to get out and draw from life. Thank you for posting all of your amazing sketchbook drawings. My #walktosee zine, which is full of my drawings, is back in my shop, and I am working on a #walktosee book/zine full of tips for drawing from life. Sign up to my newsletter for news on that project, and some free downloadable goodies for illustrators. Once you are signed up you will get my monthly Illustrators Newsletter too. You can sign up on my website. Don’t forget to choose your preferences when prompted.


Chie Hosaka

Chie Hosaka

Day 19. Dream collaboration
My dream collaboration has already begun. I am @picturehooks mentor to @chiehosaka . She a truly delightful human being and talented artist. I am hoping that I will be help her on her way to writing and illustrating a picture book. She has some gorgeous stuff in those sketchbooks, I know there is an amazing picture book just waiting to be made!

Last time I was part of the @picturehooks scheme I mentored super talented @kirstibeautyman who has gone on to great things. So proud of her, I learned a lot along the way myself, and her new book, the one we worked on together, is due to be published later this year I think. (Not sure of pub date.) If you are a budding illustrator, or just interested in the creative process, sign up to my nice non spammy Illustrators Newsletter on my website. It is is a list of five inspiring articles/ podcasts/ books dropping into your inbox each month. When you do, there are some free downloadable resources.


This is Bernard and Iris from ‘How to Hide a Lion from Grandma’.

This is Bernard and Iris from ‘How to Hide a Lion from Grandma’.

Day 20. Design process

Making a picture book is a team effort, so the relationship with your designer and editor is an important one. There needs to be mutual trust and a willingness to listen and take on board suggestions, from both sides. But it’s more than that, a magic ingredient I can’t put my finger on...
I have been lucky to work with some of the best. @zoe_tucker_design designs all of my How to Hide a Lion books, she is amazing! When Zoe, my editor Alison Green (editor of the Gruffalo, need I say any more) and I are in a room together I swear magic happens! We all inspire each other and make books none of us could have imagined alone.

That’s all so far, I have ten more #marchmeetthemaker pictures to post, you can see the rest on my insta feed.