drawing in the rain, my mum's obsession with throwing me out to play, wearing only my vests and pants when it rained, and Gerry's new sketchbookzine

I have always loved drawing from life, it’s the time I feel most like me. And drawing in bad weather conditions is even better. All I can do is battle the weather and draw instinctively. I love that feeling.

Fishing lines at the shoreline with matching abandoned buggy- Helen Stephens

Fishing lines at the shoreline with matching abandoned buggy- Helen Stephens

Drawing in the rain in Iceland- Helen Stephens

Drawing in the rain in Iceland- Helen Stephens

Gerry and I got into Olly and Suzi in the 1990’s. They draw together on one sheet of paper, often in Arctic weather conditions, even underwater. Here is a quote about them from the Sunday Times: ‘One is left-handed, the other right-handed, and they draw marks simultaneously on the same page, creating images that are half-found objects, sometimes comic, often beautiful and always with the innate vibration of the wild. They work up-close in the bush, the tundra, underwater, as close as they can get to their subject; and they specialise in predators: lions, sharks, bears, wild dogs, crocodiles, snakes. But there is an added element of danger, of commitment, daring bullishness, circus and adventure. The work has elements of performance and environmental advocacy.’

Olly and Suzi

Olly and Suzi

I grew up in County Durham, in an upside down house (bedrooms downstairs, living room upstairs) surrounded by small woods and farmland. My mum, in desperation to entertain me and my brother and sister during the long summer holidays, would shove us out into the rain to run around in our vests and pants. We’d jump in puddles and stick our tongues out to taste the rain. It was so exciting, especially if there was the added danger of thunder and lightening. My mum had an innate knowledge that kids don’t need many toys, and chucking them out in the rain in just pants is the best entertainment! 

My sister, my cousin, my mum and me on the right.

My sister, my cousin, my mum and me on the right.

I think my love of drawing in wind, rain and snow goes back to those times as a kid. And the rainy beach holidays at Whitley Bay where we sat out in the rain and wind, eating sandy sarnies and playing in the freezing North Sea. Heaven!

Humans were made to live in the elements, and I am as much a sofa addict as anyone, but when I get out in the wind and rain to draw I feel so good. It is good for the soul, it recharges the batteries and I feel good for days afterwards.

I made myself a ‘Draw in the rain’ badge, and put some in my shop, thinking no one would be interested in such a niche interest badge, but much to my surprise, I quickly sold out! If you want a heads up when they are back in stock sign up to my newsletter at the bottom of this post. There are still a few dead birds left, but be quick!

I draw dead birds and Draw in the rain badges.

I draw dead birds and Draw in the rain badges.

Our family holidays usually revolve around a drawing trip, and in 2017 we went to Iceland to draw Humpback whales from life. I wrote a blog post about that trip here. My partner, Gerry Turley studied Natural History Illustration at the RCA and has always had an obsession with whales. We left London and moved to the windy Northumberland Coast a few years ago, and Gerry has had the opportunity to document in pictures whales that have been washed ashore. I wrote a blog post about the latest one, a humpback, here.

Iceland Sketchbookzine- Gerry Turley

Iceland Sketchbookzine- Gerry Turley

Gerry has made a new ‘Hand Finished Sketchbookzine’ of some of those drawings. It’s available in our shop now, and is a limited edition so don’t miss out. Each one is signed and numbered. He screen printed fluorescent elements on each page, and they really pop against the soft grey pencil work. You could keep it as a zine, or take pages out to frame them.

Iceland Sketchbookzine- Gerry Turley

Iceland Sketchbookzine- Gerry Turley

We opened our online shop so that we could make zines of our drawings, and other printed goodies, it gives us an oportunity to sell the things we make independently. We really appreciate everyone who visits the shop. Thank you.

By the way, Gerry is illustrating a picture book about a humpback whale. It will be out next year, I’ll keep you posted.

Gerry Turley screen prints on to the zines at Edinburgh printmakers

Gerry Turley screen prints on to the zines at Edinburgh printmakers

Do you draw from life? I’d love to hear your experiences and see your sketchbooks. I am helenstephenslion on Instagram where I started a hashtag called #walktosee. It is for drawings made from life and has nearly 8.5k contribultions so far. I post a selection of my favourites on my Insta Stories each weekend, so it’s a good way to find new followers, and if you follow the hashtag you will find fellow sketchbookers too. Hopefully I’ll see you over there!

Gerry Turley's Drawings of a Dead Whale

Yesterday we heard the desperately sad news that a humpback whale had been beached near the Torness nuclear power station in Scotland. My partner, Gerry Turley who has a passion for drawing whales, jumped in the car and got there just as the veterinary pathologist from the Scottish Marine Animal Stranding Scheme had finished their necropsy.


An excerpt from BBC Scotland News:

‘A humpback whale was entangled in rope for "weeks, if not months" before it drowned off the coast of East Lothian, a post-mortem examination has found.

The young male, which was about nine metres long (30ft), was found at John Muir Country Park, near Tyningham.

Experts said the marine mammal had become very weak and had the most parasites they had ever seen. The whale was towed out to sea and moved to another beach for the five-hour necropsy on Wednesday

Gerry had about half an hour to sketch before the whale was taken away to be incinerated.

Gerry had about half an hour to sketch before the whale was taken away to be incinerated.

Dr Andrew Brownlow, veterinary pathologist for the Scottish Marine Animal Stranding Scheme, told the BBC Scotland news website he had found nothing in the whale's stomach. He said:

"This was an entanglement case and from the tissue lesions it had been like this for weeks, if not months.

Gerry made all of these drawngs in a short space of time, maybe three minutes a sketch. Being a natural history illustrator is not easy!

Gerry made all of these drawngs in a short space of time, maybe three minutes a sketch. Being a natural history illustrator is not easy!

"It stops the animal from being able to feed properly or exhibit normal behaviour, which weakens the animal and then it drowns.’

"It's a real eye opener for us on the effect we can have on animals."

Moving whale parts to the skip

Moving whale parts to the skip

He added: "Its lesions were very chronic and its parasite burden was the most I have ever seen in an animal of this size.

"It had become weak because it could not feed which, in turn, meant its immune system weakened, which meant its parasite burden increased.

"So the poor animal was fighting the ropes and a heavy burden of parasites."

Torness Nuclear Power Station in the background.

Torness Nuclear Power Station in the background.

He said he was pleased at least to find no plastic in the whale's stomach.

Dr Brownlow said fishermen's ropes were often longer than the distance from the surface of the sea to the bottom so they formed coils, which was a trap for anything that swam through it.

He added: "In evolutionary terms a whale has learned to spin around to avoid an attachment but this strategy is the worst thing it could do when it's entangled as it makes the situation worse.

The skip containing the humpback being towed from the beach.

The skip containing the humpback being towed from the beach.

"It then has caught something else on the ropes around it which has made it a higher weight and it's actually drowned. It was pretty horrific."

Humpback whales breed in warmer waters in the Azores before moving to more northern waters to take advantage of the food stocks during the summer months. East Lothian Council has now removed the whale for incineration.’

BBC Scotland News


Gerry also drew a beached whale at Beadnell Bay a few years ago, and we visited Iceland to draw whales in the wild last year, see those drawing here. You probably know, Gerry makes beautiful screen prints of whales on to vintage sea charts (here). He sells them a few times a year in an online private view to newsletter subscribers. For news on his next set of prints join the newsletter below. Don’t forget to tick your preference for whale prints when prompted.

March Illustrator's Newsletter Highlights


Tom Froese wrote an article: The Empowered Creative. 'Creatives tend to think of themselves as vulnerable and perpetuate the starving artist myth. People we work for may also believe this and underestimate our role as equals and collaborators, instead imagining we feel lucky just to be able to draw for a living. We are not lucky to draw for a living. We are capable enough to make art matter to businesses.'

Liza Dimbleby is a member of the Royal Drawing School's Senior Faculty. She talks here about drawing outside in the city. 

My friend Alice Wood pointed out this article to me: Our Lost World in Watercolours. 'Hot in the footsteps of Art UK’s ambitious attempt to document every publicly owned artwork in Britain on a single website, a new online project has launched to repeat the project for the world’s watercolours – in particular those that, accidentally or on purpose, documented that world. The value – and excitement – of the Watercolour World project, is that it views these historic paintings as documents, not aesthetic objects: visual records of the world at large, in colour, spanning a full 150 years before photography took over as our primary documentary medium.' Here is the collection, search for any town or subject, it is fascinating. Like a historic #walktosee!

Each month I send out five juicy morsels about creativity that have inspired me, stuff from youtube, podcasts, blogs, books… Sign Up!


I have been taking part in Joanne Hawker’s #marchmeetthemaker. It is a month of prompts for Instagram, I thoroughly recommend it, it helps shake us out of our insta habits. I am at Day 20, very proud I haven’t missed a day yet. You can see the rest as I post them on my insta feed here.

How to hide a Lion by Helen Stephens

How to hide a Lion by Helen Stephens

Day 1. Favourite to make

My favourite thing to do it write and illustrate picture books. Honing a book into its perfect shape, making words and pictures sing together is difficult and thrilling in equal measures. It can take aaaages, and many failed attempts... but when it all comes together, it is so satisfying.

How to Hide a Lion was a delight to make. It started when I left London and moved here, to the windy Northumberland coast. I saw the beautiful sea haars that fill the town with a silvery mist, and imagined a bright yellow lion walking into the silvery grey town. And that was it, the tiny fragile beginnings of an idea.
It has now sold in nearly twenty languages, won lots of fancy pants awards, and been adapted for stage. I would never have imagined that would happen when I started making it at home with my toddler banging on my work room door asking me to come out! (Working from home with a toddler in the house was tricky!)

Veronica by Roger Duvoisin

Veronica by Roger Duvoisin

Day 2. How you started

I studied illustration at Glasgow School of Art. I used to trawl the charity shops for good vintage clothes (I had a fab 1960’s M & S anorak) and old books. This is one of the books I bought back then. #rogerduvoisin is one of my favourite illustrators. I love the books of the 1950’s and 60’s printed in limited colours, usually two or three colours and black.

I liked picture books, but didn’t really know what I would do when I left art school. My favourite thing was to draw from life, and I always struggled to cross the bridge from drawing to illustration. I had no idea how I would go about Illustrating a book.

When I left art school I moved to London because that is where the publishers were, and there was no internet then. Strange to think of that now. I would sit on my bedsit floor and ring the publishers on my landline (no mobiles then) and ask if I could show them my folio.

I had postcards made of my work and would send them out to anyone and everyone in the Writers and Artists Yearbook. I had a part time job at the Science Museum and worked on my folio every evening. I would arrange meetings on my days off. One of those meetings was with Dorling Kindersley, who liked my work and asked me if I could write a picture book text. I said yes, although I had no idea how to do it! Each night after work I scribbled away, and the next week I turned up with a text. That book was my first picture book, it was called I’m Too Busy, and published in 1998. Lovely @janecabreraillustration was my designer.


Day 3. Flatlay

Nibs, nibs, nibs, nibs. 🎶 🎶


Day 4. Tools and materials

Dip-pens, ink, my favourite Uniball drawing pen (the ink flows fast enough not to leave gaps when I draw quickly) a waterproof crayon and a few tubes of watercolour. These are materials I use all the time.
The sketch is of a man I saw in the train. He had the word ‘England’ tattooed on his neck.

The Big Adventure of the Smalls by Helen Stephens

The Big Adventure of the Smalls by Helen Stephens

Day 5. Detail or close up

Detail of an illustration I did for my book, The Big Adventure of the Smalls.
It reminds me of when I was a kid and Mum and Dad would pop their heads around the door to say goodnight before they headed off to a dinner-dance or a works doo. (Only we had bunk beds not a four poster!)

Sketchbook by Helen Stephens

Sketchbook by Helen Stephens

Day 6. Full or part time

Full time, but every day I take some time out for a walk on the beach with my scruffy mutt Peggy dog. It blows away the cobwebs and banishes the Illustrators Cabin Fever (a rare condition only found in Illustrators that can be diagnosed by unbrushed hair, a dressing gown with a hot water bottle stuffed down it and a worried expression ). I often draw on these walks and that is what inspired me to start the hashtag #walktosee. It is for drawings done from life on our daily walks. There are more than four thousand contributions so far and I am blown away by the community it is bringing together. Thank you to everybody who takes part. I feature some in my stories every weekend, join in!

The Less Glam Side by Helen Stephens

The Less Glam Side by Helen Stephens

Day 7. Less glam side
The less glam side is doing the work.
The novelist #Murakami compares writing a novel with long distance running. I think you could say the same for creating a picture book. It is a battle of endurance. Putting in the hours, battling the cold and fighting Illustrators Stoop (bad posture). I should add that it might not be glam, but it is rewarding.

How to Hide a Lion by Helen Stephens

How to Hide a Lion by Helen Stephens

Day 8. Product range

My partner @gerryturley and I have an online shop. We opened last October, and have really enjoyed making new products and seeing them go off to their new homes.
Gerry’s whale screen prints were featured in The Guardian this time last year and we sell those in an online private view every six months or so. His whale posters are in the shop all the time, and are probably our best selling product.
Gerry is working on a new sketchbookzine for the shop right now, it will be a mix of both of our sketchbook drawings. I’ll keep you posted on that.

Helen Stephens

Helen Stephens

Day 9. Story behind name

So here is a brief history of my life.
Born in Darlington, grew up in tiny village called Staindrop. My best friend was in love with Freddie Mercury, we used to write to each other in lessons and I would draw pictures of Freddie for her.

Always loved drawing. As other people seemed to grow out of it I carried on.

A teacher told me not to apply to Glasgow School of Art, so I did. So glad I did because that’s where I met my partner @gerryturley.

After art school we moved to London, Gerry did his MA at the RCA and we lived in shared flats with other artists for a few years. Was a stressful time as Gerry and I were determined to be Illustrators. Friends and family were getting married and buying houses and all that, but we were single minded in our determination to make our way as illustrators, whatever it took. It was hard for a while. But we loved London and thought we’d probably live there forever.

Anyway, some work came in and one thing led to another, I got some books published, Gerry made some brilliant work, and we bought a small flat near Wimbledon... We made a studio in the garden to work in. Gerry filled it with origami birds and bats, and we had a family of foxes living nearby.

Then at age 36, having not really been interested in having children before, we decided to have a child. Pie (she always called herself that, from the first time anyone asked her name) arrived in to the world on our bedroom floor during a thunder storm. Although afterwards Gerry said there was no thunder storm, I must have created it in my mind! Weird!

Eight years ago we decided to leave London in search of more space, and chose the Northumberland coast. We adopted #helenstephenslionpeggy from the local dog shelter and she likes to roll in dead fish on the beach. It’s a good job we love her because sometimes she stinks!

Well, that’s it. Life summed up in a weird selection of facts. Byeeee.

By Alice Newman

By Alice Newman

Day 10. You

Here are some of the recent contributions you made to #walktosee. It’s a hashtag project I started for drawings done from life of our daily walks. It is turning into a wonderful supportive community, why not join in? I feature some on my stories each week.

PS Do you know I have an Illustrators Newsletter? You can sign up on my website. 🖊
This one is by @alice_draws

Helen Stephens drawing of Pie

Helen Stephens drawing of Pie

Day 11. Reducing waste

There isn’t much waste in my line of work. Just paper, and I chuck that in the recycle bin. I don’t like to think of paper as something too precious, if I do I will tighten up and the work will be terrible. Of course good paper IS precious, it is expensive, but I have to forget that otherwise I won’t be able to draw at all. Ha! The mind games of illustrators, that could be an essay in itself! 😂

In the mean time here’s a very quick sketch I did of Pie. #walktosee

Day 12. Hands at work

I always have inky hands. #howtohidealion


Day 13. Photography

Before I talk about photography, a big thank you for all the views and amazing comments on my last post. You’ve inspired me to do more films of my hands at work!
Anyway, photography. I use a Cannon 650 DS camera for photos of my work, especially when it is gloomy outside and I need a camera that’s amazing at picking up light, but mostly I use my iPhone.
I like taking pictures of the windows around the streets where I live. These are never popular posts, but I carry on posting them regardless! There must be someone out there who loves these wind worn, sea sprayed windows as much as I do!

Whistle For Willie by Ezra Jack Keats

Whistle For Willie by Ezra Jack Keats

Day 14. How I learnt

I learnt by devouring beautiful picture books: books from the library, books from charity shops, books purchased with a nice discount from the bookshops I worked in for a few years after art school, books borrowed from the art school library when I worked there... from anywhere I could get my hands on them.
This is one of my favourite charity shop finds.

Day 15. Motivation and goals

My biggest motivation is the feeling I have when I am totally absorbed in writing or drawing. I feel more me than at any other time. The next big motivation is seeing children react to my books, it is incredible to see a whole class rolling around on the floor laughing or shouting out what they think will happen next, they are nutters! I love getting letters from children, and these are from Stapeley Broad Lane Primary School. I always write back, I think it’s important they know authors are real people, it might give them the idea, ‘Hey I could do that!’

Helen Stephens

Helen Stephens

Day 16. Workspace (tidy/messy)

MESSY, but I have a big tidy up at the end of each project. Irrelevant photo of me wearing piles of clothes to keep warm: thermals, woolies, apron, dressing gown, hat and scarf. In winter I top it off with a hot water bottle up ma jumper! What do you wear?

Jack and the Bean Stalk by Helen Stephens - Orchard Publishing

Jack and the Bean Stalk by Helen Stephens - Orchard Publishing

Day 17. What I’m working on. #sneakypeek #fairytales

Sketchbook by Helen Stephens

Sketchbook by Helen Stephens

Day 18. Mistake or lesson

When I first left art school I made the mistake of thinking I had to work hard at being an illustrator now, just get my head down and work. I thought it would be frivolous to draw from life or take days out to play at sketching and exploring. I quickly became miserable, I found it hard to generate new ideas, and my work didn’t excite me any more. It took me a while to realise why, I had forgotten the pleasure and importance of play.
That is one of the reasons I started the #walktosee hashtag. It is to inspire us all to get out and draw from life. Thank you for posting all of your amazing sketchbook drawings. My #walktosee zine, which is full of my drawings, is back in my shop, and I am working on a #walktosee book/zine full of tips for drawing from life. Sign up to my newsletter for news on that project, and some free downloadable goodies for illustrators. Once you are signed up you will get my monthly Illustrators Newsletter too. You can sign up on my website. Don’t forget to choose your preferences when prompted.

Chie Hosaka

Chie Hosaka

Day 19. Dream collaboration
My dream collaboration has already begun. I am @picturehooks mentor to @chiehosaka . She a truly delightful human being and talented artist. I am hoping that I will be help her on her way to writing and illustrating a picture book. She has some gorgeous stuff in those sketchbooks, I know there is an amazing picture book just waiting to be made!

Last time I was part of the @picturehooks scheme I mentored super talented @kirstibeautyman who has gone on to great things. So proud of her, I learned a lot along the way myself, and her new book, the one we worked on together, is due to be published later this year I think. (Not sure of pub date.) If you are a budding illustrator, or just interested in the creative process, sign up to my nice non spammy Illustrators Newsletter on my website. It is is a list of five inspiring articles/ podcasts/ books dropping into your inbox each month. When you do, there are some free downloadable resources.

This is Bernard and Iris from ‘How to Hide a Lion from Grandma’.

This is Bernard and Iris from ‘How to Hide a Lion from Grandma’.

Day 20. Design process

Making a picture book is a team effort, so the relationship with your designer and editor is an important one. There needs to be mutual trust and a willingness to listen and take on board suggestions, from both sides. But it’s more than that, a magic ingredient I can’t put my finger on...
I have been lucky to work with some of the best. @zoe_tucker_design designs all of my How to Hide a Lion books, she is amazing! When Zoe, my editor Alison Green (editor of the Gruffalo, need I say any more) and I are in a room together I swear magic happens! We all inspire each other and make books none of us could have imagined alone.

That’s all so far, I have ten more #marchmeetthemaker pictures to post, you can see the rest on my insta feed.

Five Interesting Titbits for Illustrator Types


Here we are, January nearly finished already! I am illustrating a big book of Fairy Tales for the very young at the moment, being a bit of a hermit. I can't wait to show you how it's looking, but have to keep it under wraps for now... anyway, here are my five interesting titbits for illustrator types:

1. Did you catch these gems on BBC iplayer? Raymond Briggs: Snowmen, Bogeymen and Milkmen and Ethel and Ernest.  There are only six days left to watch, so be quick.

2. We got this beautiful book for Christmas: Robert the Bruce, text by James Robertson and wonderful illustrations by Jill Calder. There is a great blog post with an interview with Jill Calder here.

Robert the Bruce, illustrated by Jill calder.

Robert the Bruce, illustrated by Jill calder.

3. Are you going to The Bologna Children's Book Fair this year? It is a great place to get an inside look at the world of children's book publishing. We (my partner, Gerry Turley and I) were there last year and enjoyed this event celebrating the 65th anniversary of the New York Times Best Illustrated Children's Book Award. You can see us in the audience if you look closely. This year we won't be there, but would have loved to see this: Fifty Years Of Illustrators

Gerry and I far right, me in my specs, G with the dashing white hair.

Gerry and I far right, me in my specs, G with the dashing white hair.

4. My podcast choice this month is this episode of Creative Playdate: Four Starts with an F for a Reason with Tom and Amanda Froese. They talk about Tom's illustration career, and the highs and lows of working from home with small children. Also, I have spoken about this before I am sure, but I find this book on audible very inspiring: On Writing by Stephens King.

5. Pictures and words can change the world: here's how to help save whales. Join in with Nicola Davies campaign #waveofwhales by sending your pictures and poems of whales and sending them to the Japanese Ambassador in London.

The making of How to Hide a Lion at Christmas

I first wrote this blog post as a tweet here, and after getting many, many lovely messages in response, I decided I would transcribe it here:

Look! I've been dying to show you this great trailer my publisher made for my new book How to Hide a Lion at Christmas & I thought I'd share with you some of the process of making the book...

It started with this sketch... I knew I wanted Iris and her lion to be torn apart for Christmas... Here they are being sad and lonely. My books usually start with one one very clear image like this.

Helenstephens- notebook- How to Hide a lion at Christmas

Another early sketch: Lion lost and looking for Iris. I fill lots of notebooks with sketches like this when I am trying to work out the story. It's nearly all visual at first.

Helen stephens notebook How to Hide a Lion at Christmas

I knew that at the end of the story they would be reunited. Like ‘Home Alone’, only with a lion. By the way, this is pretty much my ideal Christmas day. Food, sofa, telly, lion... OK, maybe not the lion...

Helen stephens notebook How to Hide a Lion at Christmas

Then thumbnails. I was trying to work out how Iris and the lion would reunite, and wondered if Iris might find a snowman in the morning, and it turns out it is Lion. Like in my favourite Christmas telly, 'The Snowman', only in my version Iris GETS a snowman at the end.

Helen Stephens notebook How to Hide a Lion at Christmas

At about this stage I went to see my amazing publisher Alison Green and my designer Zoe Tucker. I love these meetings, magic happenes when we are all in the same room. They were very excited and had some great ideas about where Iris might hide her lion at Christmas.

helen stephens notebooks how to hide a lion at christmas

After our meeting I head home to the windy Northumberland coast and get back to work. I feel a bit like a hermit while I am making a book, and wrap up in thermals, winter woollies and a dressing gown over eveything to stay warm at my desk. The glamour!

helen stephens photo wrapped up

Now, this idea threw me into one of those whirlpools of overthinking... I thought Lion might eat all the Christmas dinner & that Iris might have pizza instead. I spent AAAAGES researching whether you could order pizza on Christmas day.

helen stephens sketchbook how to hide a lion

In the end I decided that it didn't matter whether you could order a pizza on Christmas day or not (surely you can't... ) She would have pizza regardless (maybe from the freezer?) Jeez, sometimes I do overthink...

Once I have the plot vaguely in place I start to make dummies. My designer, Zoe Tucker, makes them for me too, and we think about whether everything is working: are the page turns in the right place? Are the words and pics singing together? We make lots of these...

The full sized roughs look like this. I glue patches of paper over the bits of drawings that aren't working & draw over the top to save me redrawing the whole image. I try very hard not to do the roughs too many times or the drawings lose their spontaneity.

When I do the final artwork I become a FULL-ON-ILLUSTRATOR-HERMIT. I wear piles of clothes to keep me warm, dog at my feet, and don't do anything else, except a brisk walk on the beach each day until the artwork is done.

I tick off each piece of artwork as I do it, to give myself a sense of achievement.


And finally we think about the cover... These are a couple of rough drawings.

And after all that work: piles and piles of notebooks, stacks piled high of rough drawings, dummy books coming out of my ears, blood, sweat and tears: it all comes down to a small pile of finished artwork.

helen stephens artwrk at desk how to hide a lion at christmas

Then, like a favourite child leaving home, I send it out into the world. 'Good luck out there! Stay safe! Find lots of nice homes!'


My Work Wall, Roger Duvoisin and Drawing from Life

Hello there! Here is a list five things that have inspired me or taught me something new over the past month. Hopefully these little nuggets will inspire you too.

1. A blog post about one of my favourite illustrators: Roger Duvoisin

2. People I like to follow on instagram: Mique_moriuchi. Her Ninja Mum series of drawings about being a mum are so funny- and true to life.

3. I started the hashtag #myworkwall ages ago for pictures of people’s work spaces, and all the stuff they have pinned to their walls: postcards, shopping lists, rough drawings... I am nosy! But I sort of lost interest when I noticed there were barely any pictures of work walls any more, it took on a life of its own. I see it has 5800 contributions now, amazing! What do you have on your work wall? Let’s see if we can populate the feed with actual work walls again! Don’t forget to use the hashtag #myworkwall and tag me in too. I am helenstephenslion over there.

4. Did you hear the latest Louis Theroux chat on the Adam Buxton Podcast? The chat about the writing process is great.

5. I stumbled across this gem of video about the value of drawing from life by Chloe Regan, Rachel Gannon and Fumie Kamijo.

p.s. My partner Gerry Turley has made a new set of whale prints. The next online private view starts on 29th November. We'll keep you posted.

p.s. My partner Gerry Turley has made a new set of whale prints. The next online private view starts on 29th November. We'll keep you posted.

Taking the Leap, Knickers Showing, and Reportage Illustration

Whale Screen print by  Gerry Turley

Whale Screen print by Gerry Turley

Hi there. This is a list of five things that have inspired me, or taught me something new over the past month. Hopefully these little nuggets will inspire you too.

1. My podcast choice is: Letters From a Hopeful Creative: How do you Know When you are Ready to Take the Leap? In this episode Sara Tasker and Jen Carrington receive a letter from an illustrator who can't decide whether to leave her part time job.

2. Ted Talk: Do Schools Kill Creativity? Sir Ken Robinson makes an entertaining and profoundly moving case for creating an education system that nurtures (rather than undermines) creativity.

3. This video on youtube: Veronika Lawlor, Caught in the Act. She is a reportage illustrator who happened to be there when the twin towers came down. She says, 'Drawing is an experience, and if you look at your paper you miss it.'

4. I read this book in a day, couldn't put it down: Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys by Viv Albertine the guitarist for the punk band the Slits.

'Albertine's words are naive and in-your-face. Above all they talk about what it is not to be a Typical Girl.’

‘All underarm hair and knickers showing' - this frank, feminist memoir from the Slits guitarist captures the importance of punk ' The Guardian.

5. My partner Gerry Turley is having an online private view of his whale prints this week. Join our newsletter to get your invite. The doors open at 9am on Thurs 4th Oct. Sign up for the newsletter below.